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Azden AZD211H 211R + 31HT
Azden AZD211L 211R + 31LT
Azden AZD221H 221R + 31HT
Azden AZD221L 221R + 31LT
Azden AZD221XT 221R + 31XT
Azden AZD311L 311R + 31LT
Azden AZD500UDR 500 Series Transmitter
Azden AZD500HT 500 Series w/ Handheld
Azden AZD500LT 500 Series w/ Lapel
Azden AZD500LTS 500 Series w/ Sony Mic
Azden AZD500XT 500 UDR and 41XT
Azden AZD1000URX/AB Anton Bauer for 1000 Series Receiver
Azden AZD411LT AZD411UDR, AZD51BT, EX503H
Azden AZD31LT Bodypack Trans & Lapel Mic
Azden CAM3 Cam3 On-Cam Mic Mixer
Azden AZD221R Discrete 2-channel RF Receiver
Azden ECZ930 ECZ990 Zoom Mic
Azden AZD41HT Handheld mic
Azden AZD31HT Handheld mic
Azden WHXPRO Hand-Held Mic System
Azden EX503 Lapel mic
Azden AZD41BT Lapel Mic & Transmitter
Azden AZD51BT Lapel Mic & Transmitter
Azden WLXPRO Lapel Mic System
Azden AZD1000URX 1000 Series Receiver
Azden AZD1000BT 1000 Series Transmitter
Azden AZD1000XT XLR for 1000 Series
Azden AZD100LT 100LT (Receiver, body-pak transmitter, & mic)
Azden SGM1000 Profession Shotgun Mic
Azden FMX20 New! Professional/Portable Field Mixer
Azden SGMX Shotgun Mic
Azden AN-1A NiCad Battery for 41HT
Azden AZD31XT Plug-in XLR Transmitter
Azden SGM1X Professional Shotgun Mic
Azden SGM-2X Professional Shotgun Mic
Azden PROHAND Replacement handheld for WMS
Azden PROTRAN Replacement transmitter for WMS
Azden PROREC Replacement WMS Receiver
Azden AZD211R RF Receiver
Azden ECM44H Sony lapel mic
Azden AZD311DR True Diversity RF Receiver
Azden AZD411UDR True diversity UHF receiver
Azden HS11 Unidirectional headset mic
Azden WDRPRO WDR True Diversity Receiver
Azden WLTPRO WLT Pro Label Mic & Transmitter
Azden WMSPRO WMSPRO Mic System
Azden WMTPRO WMT Pro Hand Held Mic w/transmitter
Azden WR22, WLT, WMTPRO WR22 & 1 Lapel, 1 Handheld
Azden WR22, WMTPRO (2) WR22 & 2 Handheld Mics
Azden WR22, WLTPRO (2) WR22 & 2 Lapel Mics
Azden WR22PRO WR22 2 Mic Receiver
Azden WXT-PRO WXT-PRO Transmitter
Azden AZD51XT XLR transmitter
Azden AZD100ULX 200UPT + AZD10XT + AZD10BT
Azden AZD51HT Handheld mic & Transmitter
Azden AZD200UPR Receiver only - works with all Azden 63 channel UHF Transmitters
Azden APS25-VH1 APS25 Handheld mic system
Azden APS25-VL1 APS25 VHF Lav System
Azden APS25-VL2 APS25 VHF 2 lav system
Azden AZD100HT AZD100UPR + AZD10HT
Azden AZD200ULT AZD 200UPR + 2 AZD10BT's & EX503
Azden AZD200ULH 200UPR + AZD10HT + AZD10BT

Azden 100LT Affordable UHF Mic System

Establishing a new low price-point for on-camera UHF, is the 100LT system. Unlike the entry-level models of its competitors, which have 1, 2, 10 or 16 channels, the 100LT system offers 63 user-selectable channels in the 794-806MHz band. Both the new receiver and body-pack transmitter are housed in small, 3 7/8" x 2 3/8" x 13/16" cases, ideal for today's smaller digital cameras.

The new 100UPR receiver features twin-antennas, a 3.5mm -58dbB balanced mic level output jack, a 3.5mm monitor output jack (with level control), a recessed On/Off switch, a Power On/ Signal Received LED and channel selectors to set the desired frequency. Using crystal-control and PLL synthesis, the 100UPR operates for better than 8 hours on a single 9V battery. Includes mounting Velcro and a 3.5mm to 3.5mm output cable

The new l0BT body-pack transmitter is supplied with an Azden EX-503 omni-directional lapel microphone & a metal belt-clip. In addition to the 3.5mm mic input jack, the transmitter has a Power On switch with an associated LED, a separate Standby switch for audio muting and a set of channel selector switches. It also runs better than 8 hours on a single 9V battery.

$450.00 MSRP


NEW! Azden SGM-1000
Phantom Powered Shotgun Mic

Designed with the professional videographer in mind, the SGM-1000 super-cardioid condenser microphone combines wide frequency response with low noise and phantom power. The 12.2" (310mm) long micro-phone features a switchable low-frequency roll-off filter to reduce proximity effects and low-frequency room noises such as air conditioners, a Power On/Off switch and an industry standard low-impedance XLR con-nector. The SGM-1000 can be powered by either externally supplied phantom power (12-48V) or an inter-nally mounted single “AA” alkaline battery. Special circuitry automatically disconnects the internal battery when phantom power is applied.

Produced with a scratch-resistant matte black finish, the SGM-1000 will be supplied with a foam wind-screen for noise suppression and a special floating shock-mount adaptor with an integral hot-shoe mount

$350.00 MSRP

Azden 500 Series true Diversity UHF Systems

NEW! 500UDR Receiver is 20% smaller & 25% lighter... with the same great quality!

* 63 user-selectable UHF channels
* Crystal controlled & PLL-synthesized
* XLR output with volume adjust
* All new circuitry & 50% increase in battery power!
* 6AA batteries or 12v DC input
* LED indicators for AF Peak, Antenna Status & Power On/Reception
* Compatible with Azden UHF microphones and transmitters (41BT, 41HT, 41XT)

500UDR Receiver - $580.00 MSRP

Azden 1000URX Broadcast Wireless Mics

The 9.9oz 1000URX Receiver features true diversity electronics in conjunction with removable twin high-gain antennas and Azden's proprietary DLC (Diverstiy Logic Control) circuity for superior, noise-free reception. In addition, the receiver uses state-of-the-art dielectric filters for improved image rejection and 5th order filters for an improved S/N ratio. It also features a multi-function LCD readout, XLR mic/line output and a 3.5mm headphone output with level control. The rugged, black metal case measures a mere 3.3" W x 3.9" H x 1.2" D.

1000URX Receiver - $900.00 MSRP

Azden SGM-1X Shotgun Mic

* 11.8" supercardioid
* Low noise (-65db) & Wide bandwidth (80Hz-18kHz)
* Balanced low impedance (680ohm) XLR output
* Switchable low-cut filter
* Integrated shockmount attaches to camera shoe or mic stand
* Includes foam windscreen

SGM -1X - $200.00 MSRP

Azden SGM-2X Shotgun Mic

* 2 barrels - and 8 1/8" omni and extension barrel - to make it a 15 3/4" supercardioid
* Low noise (-50db) & Wide bandwidth (100Hz-18kHz)
* Balanced low impedance (680ohm) XLR output
* Switchable low-cut filter
* Integrated shockmount attaches to camera shoe or mic stand
* Includes 2 foam windscreens

SGM-2X - $300.00 MSRP

Azden WR22-Pro 2-Mic VHF Systems

A VHF "discrete" non-diversity receiver, the WR22-PRO allows you to use two wireless microphones simultaneously. Unlike the WDR-PRO, each receiver inside the case is set to a different frequency, allowing you to record the sound from 2 microphones at the same time. On-board controls allow you, the videographer, to monitor the signals being received and to stop receiving from either microphone if you wish.

With the introduction of the WR22PRO 2 channel reciever, Azden has made it possible for all videographers to mic two different people at the same time. The WR22PRO automatically receives and mixes the sound from both mics.

WR22-PRO Receiver - $280.00 MSRP


Azden WDR-Pro True-Diversity VHF Systems

A VHF "true diversity" receiver, designed to help the videographer to create quality audio, with less chance of dropouts. The nature of RF signals is such that they bounce off walls or structures, creating "dead spots", or sudden loss of signal. The WDR-PRO, with 2 selectable frequencies, 2 front-end receivers inside the case, and 2 antennas, has been designed to overcome this inherent problem. Both receivers are set to the same frequency, and the WDR-PRO's circuitry selects the receiver with the stronger signal from the microphone and accepts this signal. Hence, less chance of dropouts. The LEDs on the WDR-PRO turn from red to green as one receiver and then the other receives a stronger signal. Optional mini-to-XLR, and mini-to-1/4" phone plug cables are available. Compatible with all Azden "PRO" series mics

WDR-PRO Receiver - $320.00 MSRP


Azden SGM-X Shotgun Mic for MiniDV Cams

Designed specifically for use with mini DV cameras, the SGM-X is aprofessional super-cardioid shotgun microphone with a wide frequency response and low noise levels. Powered by a supplied LR-44 battery, the mic comes complete with a shoe-mount holder, windscreen andmini-to-mini output cable.

* Frequency Response: 80-18,000Hz
* Sensitivity: SUPER CARDIOID -33dB re 1V/Pa
* Impedance: 1.5k Ohms @ 1KHz
* Max. SPL Input Level: 103dB
* Signal to Noise Ratio: 65dB
* Dynamic Range: 78dB
* Dimensions: 8.34" (212mm) length
* Dimensions: 0.83" (21mm) diameter
* Supplied Accessories: Shoe-Mount Microphone Holder, Windscreen, Output Cable (3.5mm mini-plug - 3.5mm mini-plug), LR-44 Battery

$150.00 MSRP

Azden WMS-Pro Wireless Mic System

The "all-time" best selling wireless microphone for videography. This versatile system consists of the WM-PRO belt-pack transmitter, 2 plug-in electret condenser microphones, a lavalier (EX-503) and handheld (EX-413), and the WR-PRO receiver, which comes with both shoe-mount and velcro.

$270.00 MSRP

Azden 411UDR True Diversity UHF Receiver

A crystal-controlled, PLL-synthesized UHF receiver with 63 user-selectable channels in the 794-806MHz band. Up to 9 systems may be used simultaneously. It has both 1/4 inch and XLR output jacks, volume adjustment, and can be rack-mounted using the 321RK rack mount kit.

$385.00 MSRP

Azden FMX-2 Two-Channel Field Mixer

The FMX-2 is a portable, 2-channel field mixer designed for the professional videographer. The small (3.75" x 1.625" x 5"), all metal, battery operated (single 9V) mixer can be attached directly to a camera with provided velcro or belt-worn using the included 3-position belt clip.

The FMX-2 is a versatile, 2-channel mixer with XLR inputs and outputs for larger cameras in addition to a mini-plug output for high-quality mini DV cameras. A highlight is that Azden has designed the FMX-2 with configurable output. This means, for example, that 1 microphone can be mixed to both outputs as well as either single output while 2 microphones can be mixed to either single output or mixed together to both outputs.

The FMX-2 features 2 balanced XLR mic/line switchable outputs, a stereo mini-jack (3.5mm) output, twin "PEAK" level input indicators, a "MONITOR" output (stereo or mono) with level control and a POWER On/Off/Low Battery LED indicator.

$350.00 MSRP

Azden 311UDR True Diversity VHF Receiver

The 311DR meets the professional's need for "rock-steady" RF signal strength, less chance of drop-outs, and exceptional audio performance. With Power and A/B true diversity reception LEDs, 1/4" output jack, and volume adjustment.

$230.00 MSRP

Azden ECZ-990 Zoom Mic

The pick-up pattern of the built-in microphone on camcorders is omni-directional, meaning that it picks up all sounds, in every direction equally, no matter which direction you point the camcorder. The ECZ-990 is a 6" long, directional, or "zoom" microphone with a super-cardioid pattern (ellipse shaped). It will pick up your subject's sound more clearly, reducing side noises. With 2 positions, narrow and wider, the ECZ-990 has a range of 35 feet, uses 1 "AAA" battery, and comes with a windscreen, shoe mount, and velcro.

$100.00 MSRP

Azden CAM-3 On-Camera Mic Mixer

This minature 3-channel microphone mixer allows you to add and mix sound from 3 microphone sources simultaneously. Only 3 1/4" x 1/4" x 2 1/8", it weighs 3 ounces, uses no batteries, and can be attached to the camcorder or the handstrap.

$69.95 MSRP



Realtime HD/SD
Editing at a Breakthrough Price

Matrox Axio LE is the latest entry in the Matrox Axio family of products that makes Adobe® Premiere® Pro the foremost realtime HD and SD editor for demanding broadcast and post-production environments. It features no-render HD and SD finishing in compressed and uncompressed formats, superior realtime color correction tools, advanced realtime effects, and a full complement of analog and digital audio and video inputs and outputs. It also lets users work seamlessly with the other Adobe Production Studio applications, fully supporting Adobe Dynamic Link and providing WYSIWYG video output support for Adobe After Effects® and Adobe Photoshop® CS2, as well as other industry-leading animation and compositing packages. Matrox Axio LE incorporates Matrox Flex and Power of X technologies to leverage CPU and GPU power to provide the ultimate HD and SD post-production experience.

G-RAID is the only FireWire 800 storage solution designed to support professional multi-stream uncompressed SD, DVCPRO HD, HDV and DV non-linear video editing systems. G-RAID is available in capacities up to 800 GB and is compatible with Mac and PC workstations and laptops.

Combines Vegas® 6, DVD Architect™ 3, and Dolby Digital® AC-3 encoding software to offer an integrated environment for all phases of video, audio, DVD, and broadcast production. A must for the professional media producer, this suite lets you edit and process DV, HDV, and SD/HD-SDI in real-time, manipulate audio with unparalleled precision, and author DVDs.

Avid Liquid software is a powerful SD and HD video editor for the PC that offers integrated DVD authoring, surround sound audio processing, and thousands of amazing real-time effects. Its integrated toolset provides all of the tools needed to create high-quality productions and quickly output to tape, DVD or web streams.


Avid Liquid Pro combines a powerful SD and HD video editor with a versatile breakout box to provide editors and videographers with all the connectivity they need using just a simple USB2 computer connection. Avid Liquid Pro software provides video editing integrated with DVD authoring from the timeline; surround sound audio processing; and amazing visual effects. The integrated breakout box adds analog and digital video and audio I/O as well as 1:1 and MPEG capture codecs.


The most friendly, complete & powerful home video editing solution available. Studio 700-USB combines the legendary ease of its intuitive 3-step movie creation process with the power to quickly and reliably capture all of your photos, videos and audio from popular digital & analog devices from your PC or laptop. Next, Studio 700-USB intuitively walks you through adding groundbreaking effects like Pan & Zoom, music and titles to create blockbuster home movies, with instant preview on your TV, for preserving and sharing on DVD, the Web and beyond.


Seamless realtime workflow using any mix of HD / SD video formats, editors can work with unlimited video, audio & effects layers, while always previewing projects in high-quality, full resolution HD and SD video. EDIUS NX for HDV redefines video production capability & affordability with a groundbreaking, tightly integrated software / hardware solution for realtime HD / SD editing, effects and compositing.


The ideal bundle for the professional video editor who requires Adobe After Effects with their Matrox editing system. The Matrox RT.X100 Xtreme Pro Collection, includes the Matrox RT.X100 Xtreme hardware, Matrox software, and the complete Adobe Video Collection Standard with Adobe Premiere Pro, Adobe Encore DVD, Adobe Audition, and Adobe After Effects Standard.


High-quality Bidirectional Analog / Digital Video Conversion. Use ADVC110 to connect all analog and digital video cameras, decks and editing systems. ADVC110 is a portable and easy-to-use digital video converter compatible with Windows and Mac OS computers.


The move to HD requires fast, reliable and high-quality storage solutions like the VideoRaid HDV. Avoid dropped frames & stuttering videos with up to 4 streams of HDV


Datavideo DAC-100 Media Converter

Bi-Directional DV to S-Video(Y/C) and Composite Video Converter.



Datavideo DAC-5 SDI to DV Converter

DAC–5 converts SDI video and AES/EBU audio to and from FireWire DV audio/video. The DVITC timecode in the output signal respects the same standard as the one in the input signal..


Introducing SOFTIMAGE|XSI v.5.0, the digital character software designed with a gigapolygon core to handle ten times the detail for next-generation productions and take full advantage of 64-bit platforms.

Acclaimed for its ease of use, XSI v5.0 introduces a comprehensive set of migration tools for Maya users. New interface layouts and navigation modes let artists transfer their existing skills and muscle memory to XSI, and migrate in days, not weeks.

SOFTIMAGE XSI foundation
SOFTIMAGE XSI essentials

Avid Xpress Pro HD already offers the expert tools professional DV editors, independent filmmakers and videographers demand: multicam editing, one-touch color correction, image stabilization, real-time pan and zoom, 24p support, and much more.
Avid® Studio Toolkit HD includes three powerful applications that work seamlessly with Avid Xpress Pro HD: Avid 3D , Avid FX , and Avid DVD by Sonic . Add motion tracking, vector paint, and advanced titling—without leaving the editor. Set DVD chapter marks and thumbnails right from the editing timeline. Grab video for backgrounds and textures in 3D animations.


The NVIDIA Quadro FX 540 by PNY Professional Video Edition delivers component HD, S-Video, and composite video along with outstanding OpenGL graphics acceleration and display quality to popular DV and HDV non-linear video editing (NLE) applications. From creative concept to post-production NVIDIA Quadro by PNY graphics boards deliver award-winning, ultra-stable performance that professionals demand.

Now everybody can take advantage of tapeless acquisition with true Direct To Edit™ (DTE) Technology & confidence recording using the smallest FireStore ever! Tapeless acquisition is quickly being accepted as the standard in broadcast production. Record directly from your camcorder while you shoot using Direct To Edit (DTE) Technology. When you are finished shooting, connect FS-4 to your computer and you are instantly ready to edit in the timeline! No capturing, no file transfer, no file conversion. Just shoot, then edit!


Avid Xpress DV is the perfect way to explore the exciting world of digital video and make an investment in your future with a product that has minimal requirements and cross-platform compatibility sure to run on your current WindowsXP or Mac OS X machine! Avid Xpress DV is also completely upgradeable & compatible with every level of Avid’s Academy Award® winning broadcast technology!

The ADS PYRO A/V Link media converter gives you the freedom to use footage from any video source with Avid Xpress DV. Just connect the A/V Link to your PC or Mac’s FireWire port and begin capturing high-quality audio and video. You may also use the A/V Link to output your final masterpiece to any camcorder or VCR for a tape to share with your friends or family.


Serious Magic's ULTRA 2 transforms DV, HDV and HD keying into a practical daily production tool for all types of video professionals. Its drag-and-drop simplicity allows video editors to create highly realistic background composites that are convincing in every detail, even from marginal video sources. ULTRA 2's Vector Keying ™ technology blows away the primitive keyer built into your video editing software. Now shots that used to be impossible to key—uneven lighting, wrinkled backgrounds and frizzy hair—can be finished in minutes. Preserve the shadows of your talent and achieve complex keys such as smoke, liquids and transparent objects with minimal effort.


Boris Red is the only solution for editors who require broadcast-quality features for titling, effects compositing and 3D directly inside their nonlinear editing system. Red 3GL’s seamless integration is unsurpassed — editors, effects artists and compositors experience the performance, workflow and breadth of features to meet the demanding requirements of cutting-edge production. Save time and money by using one interface, in one system. Get the results you need, where you need them, when you need them. Red 3GL is a powerful new version that gives you more creative options so you can enjoy your work more than ever. You get instant gratification, seeing the results of your work immediately.


Introducing the best looking and most functional keyboard available for Adobe Premiere Pro! All new Professional Series model has the following enhancements:
• New black and silver color for a sophisticated high-tech look
• Four indents instead of one indent on the jog controller; each indent is also deeper for easier wheel manipulation.
following additional enhancements:
• Now designed specifically for Premiere Pro, our keyboards offer 40% more direct keystrokes (40% more colored keys) than the competition! How did we do it? We created a custom Bella keyboard layout using the re-map feature in Premiere Pro. Besides adding significant added functionality, we have designed our layout to incorporate the keystrokes that users of Premiere 5 and 6 have grown familiar with.

























Wholesale distributors of data storage drives, tape libraries, storage media and archival solutions.


9 to 5 provides cutting edge technologies from drive giants like:
ADIC, Archive, ATL, Benchmark, BreeceHill, Colorado, Compaq, DEC, Ecrix, Exabyte, EZQuest, Fujitsu, Hewlett Packard, IBM, Iomega, Irwin, Kodak, Lacie, LMSI, M4 Data, Maynard Maxtor, Maxoptix, Micronet, Mitsubishi, Mountain, OnStream, Olympus, Overland Data, Panasonic, Philips, Pinnacle Micro, Plextor, Quantum, Ricoh, Rimage, Seagate, Smart and Friendly, Sony, Spectralogic, StorageTek, Straightline, Sun, Tandberg, Teac, Tecmar, WangDat, Wangtek, Western Digital, Xcerta, Yamaha


Including all major storage platforms such as:
DLT, AIT, LTO, SUPER DLT, Mammoth, Optical, 4MM, 8MM, Magstar, Travan, ¼", ½", Reel-to-reel, 3480, 3490, 3570, 3590, 9840, 9940, JAZ, ZIP, CDR-RW, DVD-R/RAM

And support peripherals, host adaptors, controllers, bridges, routers and enclosures from the leaders in the market with:
Adaptec, ATTO, CI DESIGN, Emulex, GadZoox, Initio, JMR, JNI, Qlogic, Slim


Since 1991, 9 TO 5 COMPUTER has been providing such top tier products to corporate data centers, government , VAR's, resellers, OEM's, and wholesalers throughout the entire global marketplace.

Whether you need a Quantum DLT tape drive, tape library, disaster recovery solution, storage media, storage racks, drive repair, backup software or professional consultation regarding your storage solution needs, contact one of our tech sales guys today!!!!

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*Price and availabilities subject to change without any notice. Not responsible for typographical errors.

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